Detached and efficient, he looks like a cop or an accountant. The man talking is big, looks like an overstuffed kid. He's dressed in a warehouseman's uni- form and his pudgy hands are folded expectantly in his lap. The man facing him is lean, hollow-cheeked, and dressed in grey. (WE NEED YOU YOU you you) Let our abundant man-made labour force cater to your personal needs! A portable noodle bar is crowded with customers, sit- ting on stools slurping their food out of bowls. THE COUNTERMAN He say, you're under arrest, Deckard. He say big boss Bryant give him permission to use violence make arrest. (WE NEED YOU YOU you you you) Enjoy the numerous recreation areas and resorts such as the famous Elysium Crater Resort! CITY STREET - NIGHT Lights from the blimp flash along the street and wipe across the crowds of pedestrians as the VOICE TRACK CONTINUES TO BLARE from above. (turning to Gaff loudly) You got the wrong guy, pal. *** Deckard is continuing to eat but he has reacted to Gaff's repeated use of the word "Bryant." THE COUNTERMAN (to Deckard) He say, you be ornery, okay. The tops of larger build- ings emblazoned with fluorescent numerals and scrawls of neon ads. SPINNER - NIGHT Deckard is sitting gloomily in the passenger seat, still eating from his bowl with chopsticks as Gaff maneuvers the spinner through the city canyons chat- tering in rapid Japanese. Leon is flushed with anger, breathing hard, it's a bad moment, he might erupt. It's a test, designed to provoke an emotional response. In answer to your query, they're written down for me. He looks at Deckard as though Deckard was a fool and holds up two fingers. Deckard shakes his head "no" and repeats his four fingers. Then he puts the little bowl with the two slices of fish on the counter. The Counterman looks down at the two slices of fish, looks like two to him.
The CAMERA MOVES INTO a window in the large pyramid-shaped building. Flecks of green and yellow in a field of milky blue. There's a touch-light panel across the top and on the side of the screen, a dial that registers fluctuation of the iris. HADES - DUSK We are MOVING TOWARD the Tyrell Corporation across a vast plain of industrialization, menacing shapes on the horizon, stacks belching flames five hundred feet into the sky the color of cigar ash. The following scene is reflected in the eye until HOLDEN is seated. TYRELL CORPORATION INTERROGATION ROOM - DUSK The eye is magnified and deeply revealed. On the metallic surface below, the words VOIGHT-KAMPFF are finely etched. WEBSTER'S DICTIONARY New International (2012) FADE IN: EXT. He tries not to move, but finally his lips can't help a sheepish smile. early version utilized for work too boring, dangerous or unpleasant for humans. Used in space to explore inhospitable environments. His name is Holden and he's all business, except for the sweat on his face. Rows of salvaged junk are stacked neatly against the walls.